Ok so in the last 24 hours I SHOULD have posted here like 12 times, bc there’s some stank comin’ from the basement, but instead I’ve been workin (for the man), grindin’ (for myself), and cookin’ up some new OSH -ish about to drop. (more on that in the weeks to come)
But first… Y must Dick’s show there tips in public? Or better yet why did happy hour cause some lumberjack wannabe, baboon to show his ass last night? Unless you OWN an place of business… you ALWAYS end up lookin’ like an ASS when you act like a caveman.
and dude I look like a caveman.
ok sorry about the PSA
But for real, and its a good segue to our next topic.
Rap Ads
What happened when they start drinkin sprite?.
I was listenin’ to a Mixtape from BlindIUseToBeForTheKids and mid way through the track list I noticed a St. Ides freestyle, this would normally not be a thing but I thought of of of my boys back in college and his unnatural love for “flavored Crooked I” so I skipped to check out the old Wu St. Ides commercial freestyle. It was short, and the sound quality sucked; but They loved that product and the verse had some fire to it. It was a refreshing break from overly produced sprite and Impala commercials of today.
So I started to do some research and talked to Rah for a bit… I found out that back in the day rappers used to rap about products that they actually used, and kick it with people in commercials they may actually be seen with. Now I don’t know if Biggie or Meth ever did a Dutchie commercial or if Slick Rick ever gave props to the dude where he got his chains. and I know for a FACT Flavor Flav never did a Timex commercial and though Run DMC did more for Adidas in one song than any ad agency could in the entire life of the brand, somehow they didn’t even cross paths in the commercial sense until 2007, after the death of Jam Master Jay when the company paid only for stock footage and the use of a song. So why aren’t rappers really reppin’ in ads what they rap about in songs.
Well come to find out the St. Ides ads caused a stir among the community and ended up making rappers look more gangster and more like “hooligans” and this did not bode well for a new genre on the rise. So according to another blog Str8 Dope heres a more in depth histor y of the commercials and the controversy .
Amazing! I then proceeded to dig around Google and I found a small blurb from 2002 from a record store:
V/A DJ Drank’s Greatest Malt Liquor Hits cd-r 11.98 VERY LIMITED. And we think the blurb on the back of the cd says it best, so we’ll just quote it: Before the appropriately named Alkaholiks DJ/producer E-Swift hooked up with King Tee and DJ Pooh to work on a series of 60-second St. Ides TV and radio commercial spots that they had been commissioned to do: complete with a budget that allowed them to bring in some of the best emcees of the day. These rap commercials were really really good (they sound better than most commercial rap crap today!) and were so immensely popular at the time (early 90’s when commercial radio didn’t play nearly as much rap as today, esp. West Coast artists) that they resulted in listeners jamming radio station request lines at stations like Wild 107, San Francisco just to hear Cube or the Geto Boys rap about their favorite high-octane malt liquor. Not surprisingly with lyrics like Cube’s “Get your girl in the mood quicker, get your jimmy thicker, with St. Ides malt liquor,” it wasn’t long before controversy soon overshadowed the advertising campaign. Outraged protests followed particularly in African-American and Hispanic communities where malt-liquor billboards and posters were defaced. Additionally the St. Ides commercials were publicly criticized by the U.S. Surgeon General and the New York State Consumer Protection Commission and drew fines from the U.S. Bureau of Alcohol, Tobacco and Firearms, as well as the New York State Attorney General’s Office. Additionally Korean grocers boycotted St. Ides, but for a different reason, for their use of Ice Cube as their spokesperson. Their protest was based on Cube’s derogatory lyrical comments about Koreans in his album “Death Certificate.” (Note: McKenzie River, the San Francisco-based maker of St. Ides, consequently temporarily discontinued using Ice Cube.) But the biggest criticism of the St. Ides commercials was that it used hip hop/rap music, a genre most popular with teenagers at the time, to sell malt liquor directly to underage drinkers. This was further enforced when St. Ides blatantly marketed a nonalcoholic drink for kids, boldly using the St. Ides name/logo (check out the lyrics to Ice Cube’s “Crooked I For All Ages” track #30). Overall the reaction to the St. Ides ads was so intense that G. Heileman Co., the national brewer that had created the St. Ides label, disavowed any connection with St. Ides. And eventually the commercials were banned altogether and never heard/seen again.
Instead leaving us with crap like this,
But rest assured I’ve done the leg work and now I’m about to reopen the St. Ides vault…
(the quality is all over the place and I just have them in Alphabetical order but enjoy.)
2Pac & Snoop
Cypress Hill
DJ. Pooh
Dr. Dre
Ice Cube
Ice Cube & Geto Boys
King Tee
Mc Eiht
Meth & Red
Notorious BIG
Rakim’s radio commercia
The Wu
and finally the 8 minute mixtape, I’m lookin for an mp3 for ya’ll but just open a new tab and put this on in the back.
Red and (talkin’ about the WU) Meth have a show in San Diego on Nov. 13th. just know that.
Peace…It’s not just a word.
I’m off to grab a Crooked I.
NWK